We are giving away a pair of tickets to Halloween w/ Jeff Austin Band @ Nectar Lounge on October 31. To win, comment on this post why you’d like to attend. Winner will be drawn and emailed Monday, October 27.
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From our sponsors:
Jeff Austin Band
with Danny Barnes, Eric Thorin and Ross Martin + Left Coast Country
October 31, 2014
8 p.m. Doors | $25 ADV | 21+
412 N 36th St, Seattle, WA 98103
Mandolinist Jeff Austin is unstoppable. He is celebrated for his fleet fingers and penchant for improvisation on stage, but those qualities also speak volumes about how he chooses to live. Austin has cultivated his natural musical abilities and allowed himself to be driven by his boldest instincts. In this way, he has been able to build positive, exciting momentum around his life’s greatest passion.
Austin’s enthusiasm for the vast, vibrant world of music was rooted in him as early as he can remember: “I was always raised very musically. My mom always had music playing; she always sang.” It’s no surprise then that Austin himself grew up singing too. From beginning to end of his years in grade school just outside of Chicago, he sang in classes, choirs, and musicals, allowing his musical influences to lead him where they may. “I started listening to Willie Nelson and Waylon Jennings,” Austin says. “And then the Beatles, that turned into Bob Dylan, and then the Grateful Dead and Phish.”
It is with this rich personal history at his back that propels Austin into a new creative direction as he prepares to step into the spotlight as a solo artist. On his forthcoming debut project, Austin’s songwriting remains rooted in Americana inspiration and the frantic energy of the jam genre but also, reaches even further weaving in more mainstream themes, reminiscent of his co-write contribution “Fiddlin’ Around,” that was featured on the 2010 Grammy nominated Dierks Bentley album, Up on the Ridge. While the upcoming, untitled solo effort is still a work in progress, it can already be summed up succinctly as Austin’s love letter to storytelling. “I love writing a three-minute song with a hook that would grab a five-hundred-pound marlin as much as I like writing something that goes, ‘okay, after the bridge, it’s going to open up and just go wide.’”
Indeed, “wide” is what Jeff Austin is all about. He wants new and different, complex and interesting. He wants everything the music world has to offer, and he’s willing to work hard to get it.
“A good song has a way of speaking to everybody” Danny Barnes says. “I have faith that more people are going to hear my songs, which is really what I have to offer. I’m not one of those virtuoso instrumentalists, I can’t compete with those guys, but the one thing I can do is write really good songs.”
Part Southern gentleman, part humble artist, Barnes is being more than a bit self-effacing with this statement. Widely regarded as one of the most innovative and genre-bending artists of his craft, Barnes’ musical interests are both varied and adventurous, and he incorporates that versatility into a progressive approach to an instrument that is musically polarizing and steeped in tradition. Although he demonstrates an appreciation for the history of the bluegrass, country, and folk music from which the banjo’s reputation was born, his inventive take is what truly separates him from his contemporaries…using the banjo as his ‘weapon of choice’ to play non-traditional music like rock, fusion, and jazz with electronic percussion and loop elements.
He has come to redefine the banjo’s perceived image in an eclectic career for which genre definitions have merely been a polite suggestion. From his early days as the driving force behind the impressive Austin-based Bad Livers, a band of pioneering Americana missionaries, through a prolific solo career and the development of his trademark ‘folkTronics’ project, a startling approach that incorporates digital technology and various effect pedals to stretch the tonal range of the instrument, Barnes has always listened to his proudly offbeat inner voice.